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17159 Analysis of Art in Florence During the Renaissance. This paper will seek to understand how art in Florence, Italy was created, and by whom in the Age of the Renaissance. By understanding the artist, some of the works that make this period so special, and what Florence was aiming for in the objectives of their art. By understanding all of these elements, we can see how the artist, and the patron brought together a humanistic art to a city built for great achievements.
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18292 Two Versions of Madonna and Child. This paper compares two paintings, the Altarpiece known as "Madonna and Child with Saint Roch and a Donor" by the Master of Sforza (c. 1460), and the "Virgin and Child with Saint John the Baptist" by Giuliano Bugiardini.
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15896 Analysis of "The Three Graces" by Raphael. This paper analyzes the iamge in Raphael's painting "The Three Graces," first describing the image itself, then considering its effect and meaning as a viaul statement.
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15941 "Mars and Venus": A Paper on an Art Image Following Feldman's Critical Method. This paper applies Feldman's critical methods of assessing art to a painting from the Renaissance. The painting selected is Bodecelli's "Mars and Venus".
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20079 Donatello's David Donatello ? the name used professionally by Donato di Niccolò di Betto Bardi, one of the greatest of all Italian Renaissance artists whose work in bronze was rivaled by that of his work in marble, is today remembered for the entire opus of his work, as well he should be. But he is most particularly remembered for a single piece, his bronze statue of David, and that this one work of his should after so many centuries stand out is also fitting, not only because of the intrinsic beauty of the figure, not only because it was the first freestanding nude made and displayed since the Renaissance, but also because the work illuminates the complex system of artistic production and artistic patronage that existed in the early years of the Renaissance, especially in regards to the de Medici family.
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21508 An Artistic and Historical Analysis of The Adoration of the Magi and The Primavera by Sandro Botticelli This paper will analyze The Adoration of the Magi and The Birth of Venus by Sandro Botticelli in the early renaissance. By realizing the influence of the Medic family who patroned Botticelli, we can realize the classical aspects of Greek symbolism present in the changes that Botticelli underwent in Florentine painting circles in his early and later career.
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